|
|
|
|
April 1991 |
|
|
The Show | Dramatis personę | The Production Team | The Orchestra |
||
|
|
||
|
The action takes place in "Sleep-Tite" Pajama Factory in the town of Cedar Rapids, Iowa, during the mid-1950's. The story is based upon the unlikely subject of a threatened strike in a pajama factory. |
||
|
|
||
|
Hines |
David Berridge |
|
|
Prez |
Michael Kerr |
|
| Hasler |
Bob Gunning |
|
|
Sid Sorokin |
Rory Byrne |
|
|
Gladys |
Carla Tams |
|
|
Mabel |
Jean Day |
|
|
Charlie |
John Taylor |
|
|
Babe Williams |
Jan McMillan |
|
|
Mae |
Jane Forster |
|
| Brenda |
Jane Watkinson |
|
| Poopsie |
Joanne Branch |
|
| Salesman |
Grant Burnham |
|
| Pop |
Tug Wilson |
|
| "Sleep-Tite" Factory employees |
Hilary Chapman, Helen Davies, Katy Davies, Angela Griffiths, Xanthe Johnstone, Clare McMillan, Sandra McNeill, Julia Martin, Yioda Panayiotou, Betty Rose, Anita Rowlands, Anna Sheehan, Carla Spencer, Karen Thorp, Helen Tunnicliff, Sue Tunnicliff, Marilyn Warminger, Joanne Westrop, Karen Wright David Burgess, Jim Burgess, Mike Chapman, Richard Ellis, Tim Featherstone, David Fletcher, Iain Galley, Dominic Gunning, Arthur Harris, Peter Jones, David Pankhurst, Jim Parkinson, Barry Sawyer, James Shipp, Leonard Tilbrook, Russell Vincent, Don Ward |
|
|
|
||
|
Producer & choreography |
Valerie Fardell |
|
|
Musical director |
Clive Swan |
|
|
Stage manager |
Alan Baker |
|
|
Assistant stage managers |
Elizabeth Hornby, Charlotte Summerfield |
|
| Sound |
Tony Ayre |
|
|
Lighting |
Mike Bean, Nicola Whinney |
|
|
Stage crew |
Pete Adkins, Keith Eaton, Mike Huckerby, Tony Leggatt, Swayne Martin, Peter Martin-Flavin, Mark Pearson, Bill Whittuck |
|
| Scenery |
G. Guy of Lampeter |
|
| Properties |
Lesley Duggan, Julie Eaton, Daniel Heath, Clare Marquis, Vicky Wilson |
|
| Properties & furniture |
Keeleys Theatrical Hire, The Company of Ten, Radlett Light Opera Society |
|
| Factory furniture & equipment |
L. S. & J. Sussman Limited |
|
|
Wardrobe co-ordinator |
Mary Myers |
|
| Wardrobe mistress |
Jean Halsey, Barbara Bostock, Audrey Taylor, Janet Biggs, Margaret Baker, Jane Farrar |
|
|
Costumes |
Allan Scott Costumes, & the Society |
|
| Make up |
Anne Butterworth, Eileen Coates, Joanna Dunstan |
|
| Rehearsal accompanists |
Neil Buick, Rosemary Yates |
|
|
Business manager |
Lesley Dugan |
|
| Production secretary |
Sarah Burbridge |
|
| Publicity coordinator |
Michael James |
|
| Ticket secretary |
David Berridge |
|
| Producer's assistant |
Eve Davies |
|
| Prompts |
Kate Brown |
|
| Front of House manager |
Stan Owen |
|
| Stewards / Programme sales |
Jeanie Owen |
|
| Photography |
Michael James |
|
| Printing |
Watford Printers Limited, The Furnival Press London |
|
| Flowers |
"Mostly Roses" |
|
|
|
||
|
Violins |
Robert Wild, Ben Conover, Rachal Porteous, Chris Goldscheidder |
|
| Viola |
Carl Hill |
|
| Cello |
Phillip Aslangul |
|
|
Trumpets |
David Ward, Lee Butler |
|
|
Trombones |
Richard Hyams, Martin Smith |
|
| Double bass |
Gaynor James |
|
| Guitar |
Gareth Williams |
|
|
Woodwind |
Nick Moss, Gareth Brady, Mick Foster |
|
|
Percussion |
Graham Cole |
|
