|

|
|
7th November 2000 to 11th
November 2000
|
|
|
The Show | Dramatis personę
| The Production Team | The
Orchestra
|
|

|
|
Based on Damon Runyon's short story "The Idyll of Miss Sarah
Brown", "Guys & Dolls" revolves around Nathan Detroit, the
organiser of the oldest established permanent floating crap game in New York,
who bets fellow gambler Sky Masterton that he can't make the next girl he sees
fall in love with him. The next girl he sees happens to be Miss Sarah
Brown, a pure-at-heart Salvation Army type reformer, and the stage is set for an
hilarious evening of complications.
|
|
|

|
|
|
Nicely-Nicely Johnson
|
Nick
Clark
|
|
|
Benny Southstreet
|
David Barker
|
|
|
Rusty Charlie
|
John Taylor
|
|
|
Sarah Brown
|
Julie Tillin
|
|
|
Arvide Abernathy
|
Don Scott
|
|
|
Harry the Horse
|
Philip Taylor
|
|
|
Lt. Brannigan
|
Paul Sugden
|
|
|
Nathan Detroit
|
Morris Levy
|
|
|
Miss Adelaide
|
Clare Basinger
|
|
|
Sky Masterton
|
Julian Wathen
|
|
|
Joey Biltmore
|
David Berridge
|
|
|
Mimi
|
Jacquie Field
|
|
|
Agatha
|
Jane Watkinson
|
|
|
General Matilda B. Cartwright
|
Pam Kell
|
|
|
Big Jule
|
Paul Phillips
|
|
|
Dolls
|
Hilary Chapman, Jane Clark, Stella Eastwood, Jacquie
Hick, Suzanne Holmes-Walker, Sue Lilley, Joanne Pearce-Westrop, Janet
Scott, Julia Smith, Karen Thorp
|
|
|
Guys
|
Mike Chapman, Len Evans, David
Fletcher, Arthur Harris, Jon Harris-Bass, Graham Hedley, John Hope, Jim
Parkinson, Douglas Pattie, Martin Pierce, Andrew Temperley, Bill Whittuck,
Roy Woodward
|
|
|
Hot Box Girls
|
Jacquie Field, Donna Germain, Joelle Kerry, Clare
McMillan, Joyce Smith, Rebecca Smith
|
|
|
Girls
|
Helen Davies, Jane Farrar, Jane Watkinson
|
|
|

|
|
|
Director
|
Jim Snell
|
|
|
Musical director
|
Peter Holt
|
|
|
Director's assistant
|
Eve Davies
|
|
|
Stage manager
|
James Shipp
|
|
|
Assistant stage manager
|
Marion Hammond
|
|
|
Sound
|
Carl Rowlands
|
|
|
Lighting
|
Mike Bean
|
|
|
Assisted by
|
Nicola Shipp
|
|
|
Stage crew
|
Lesley Addington, Trevor Beardsley, Peter Coles, Justin
Davies, Tamzin Evers, Jim Fowler, Iain Galley, Peter Garratt, Clare
Sheddick, Anne Shipp, Ken Warminger, Mark Wiggins, Sue Wilding
|
|
|
Wardrobe Mistress
|
Jane Forster
|
|
|
Assisted by
|
Janet
Biggs, Barbara Bostock, Jean Halsey, Yioda Panayiotou, Audrey Taylor
& members of the Society
|
|
|
Costumes
|
The Costume Warehouse, Shoreham
|
|
|
Property Mistress
|
Rosalind Edwards
|
|
|
Assisted by
|
Sarah Burbridge, Jo Foster, Doreen
Gray, Yvonne Lannon, Liz Waller
|
|
|
Properties
|
Stan Owen, Company of Ten, Ansons, Keeley Hire
|
|
|
Make-up
|
Eileen Coates, Sam Dolding, Maggie Dollimore,
Pam Homan, Dorothy Whittuck
|
|
|
Wigs
|
Janet Jomain
|
|
|
Production manager
|
Lesley Duggan
|
|
|
Production secretary
|
Janet Scott
|
|
|
Programmes & publicity
|
Paul Sugden
|
|
|
Ticket secretary
|
Marion Hammond
|
|
|
Rehearsal accompanists
|
Peter Jenkin
|
|
|
Prompts
|
Jean Day, Gill
Knifton
|
|
|
Front of House manager
|
Stan Owen
|
|
|
Stewards / Programme sales
|
Jeanie Owen
|
|
|
Assisted by
|
Members and Friends of
the Society
|
|
|
Transport manager
|
David Mills
|
|
|
Photography
|
Michael Readman
|
|
|
Production refreshments
|
Janet Biggs & helpers
|
|
|

|
|
|
Violins
|
Jenny Wigram (leader), Caroline Cox, Julia Watson, Tony
Wigram
|
|
|
Cello
|
Helen Keen
|
|
|
Saxophones
|
Gary Cooney, Steve Watson, Sue Greenaway, Phil Mercer,
Susie Faithfull
|
|
|
Trumpets
|
Geoff Lawrence, Matt Thomas, Paul Taylor
|
|
|
Horn
|
Glyn Wilkes
|
|
|
Trombone
|
Richard Skelton
|
|
|
Bass
|
Adrian Warrick
|
|
|
Keyboard
|
Peter Jenkin
|
|
|
Drums
|
Dave Bulmer
|
|